Jane Boyd

In her practice Boyd often plays with the effect of light on water and glass, producing works which lie somewhere in between figuration and abstraction. She has a particular interest in urban environments, and the ways in which they change and evolve over time.
In ‘Perfect Strangers’, Boyd documents the interplay of natural light and mirror reflections on the surface of an ornate ceiling. In this eerie photograph the man-made architectural designs take on the appearance of cellular or organic forms.